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Twentieth-Century Actor TrainingFrom Routledge
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THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE.
Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert.
The practitioners included are:
* Stella Adler
* Bertolt Brecht
* Joseph Chaikin
* Jacques Copeau
* Joan Littlewood
* Vsevelod Meyerhold
* Konstantin Stanislavsky
* Eugenio Barba
* Peter Brook
* Michael Chekhov
* Jerzy Grotowski
* Sanford Meisner
* Wlodimierz Staniewski
* Lee Strasbourg
Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance.
With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.
- Sales Rank: #527901 in Books
- Brand: Routledge
- Published on: 2000-02-05
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 6.00" w x 1.00" l, 1.15 pounds
- Binding: Paperback
- 272 pages
- Used Book in Good Condition
Review
This excellent volume presents authoritative explications of a number of the contending positions... Including an excellent bibliography, notes, and some illustrations, this volume is recommended to students of acting on all levels and to their teachers, who may be led to reexamine their own work..
–R. Sugarman, Choice
It is a very exciting and worthwhile project which will certainly be widely welcomed.
–Robert Leach, University of Birmingham
About the Author
Alison Hodge is a lecturer in drama at Royal Holloway, University of London.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Stanislavski was basically an amateur...
By Kim Flintoff
David Mamet in his "Truth and Heresy" accuses the Stanislavski as being an amateur.. and essentially he was correct... despite that he set in motion a wide range of thinking about the "art" of acting.
This book maps what has taken place since Konstantin Stanislavski set in place the quest for "truth". A very useful and informative text covering 14 of the major movements in actor training from the twentieth century. This is a great distillation of the major elements of each aproach. Includes significant discussion of the practitioners and their contexts.
A great choice for anyone interested in the development of contemporary theatre. As a Drama teacher I find this a great resource for students.
This one graces my bookshelf it should also be on yours.
0 of 1 people found the following review helpful.
great purchase
By nina92
Twentieth century actor training is a fantastic book full of really helpful advice and strategies for upcoming teachers or drama enthusists. The book was in fantastic condition however it did take a long time to arrive. still a great buy and im very happy with it.
0 of 1 people found the following review helpful.
An Actor's Book of Eh
By D. Reith
Not a bad book, I wouldn't read it again. This book looks into 14 acting styles that one actor will loose their mind trying to figure out which one is best for them. I personally sick with Miesner and Stanislavsky and I have done fine. The movements are different and unique and are not for everyone. It reads like an instruction manual and unless you have someone familiar with the movement good luck trying to decipher the text.
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